The Transformers – Seasons Three and Four [25th Anniversary Edition] DVD Review

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The Transformers – Seasons Three and Four
[25th Anniversary Edition]

2010, Shout! Factory
Originally Aired: September 15, 1986 – November 11, 1987

Bonus Features

  • “The Autobots, The Decepticons & The Fans” – A look at the loyal fans of The Transformers
  • From the Files of Teletraan-2
  • Rare PSAs
  • Archival Hasbro Toy Commercials
  • Art Gallery

Picking up a few months (years?) after the events of Transformers: The Movie, Seasons 3 & 4 continue down the dark sci-fi path that the film set forth. Up to this point, The Transformers was basically G.I. Joe with a cast of robots but the series now goes completely sci-fi and gets dark and weird. When this season started up, if you had missed out on the movie, your brain would have exploded… New characters, new setting, new attitude, new theme music!

Various planets and creatures are seen and the show doesn’t spend too much time on Earth. I should point out that it seems like most of the remaining/surviving Autobots from the first two seasons are stationed on Earth so it’s the cast from the animated movie that is still front and center.

Season 3 kicks off with the five-part “The Five Faces of Darkness”. You can count this as a sequel to Transformers: The Movie. After the events of the movie, the lifeless head of Unicron now orbits Cyberton, Decepticons are desperate for energon and leaderless, Cyclonus & Scourge go off in search of Galvatron (who returns as a mad man due to some of his circuitry being damaged) and the Quintessons are back as well and scheming to destroy all Transformers so they can reclaim control of Cyberton (turns out they created Cyberton AND the ancestors of the Transformers).

So now the rest of the series is a battle between the Autobots, the Decepticons and the Quintessons although the Decepticons and Quintessons often are uneasy allies and attempt to use each other. Then there’s Starscream who makes two appearances in Season 3. He is now a ghost who can take control of other Transformers’ bodies (none of that is explained) and he is scheming to get his old body back plus get revenge on Galvatron.

Starscream’s real shining moment is in “Ghost in the Machine” where he forces Scourge to help him bring Unicron’s head back online and attempts to join Unicron’s head to Cybertron in order to bring Unicron back to full power so that Unicron will give him his body back. This is one of the better episodes of the season and could’ve easily been flushed out to being another multi-part story. Unfortunately, it’s the last we see of Starscream as he’s blown out into space (he got his old body back) at the end of the episode and is never to be seen or heard from again for the rest of the series.

A few words about Galvatron: I don’t like him. I loved Megatron. Megatron was a villain but he had a sense of honor, common sense and leaderskills that Galvatron is severely lacking. Galvatron is nuts and temperamental and even though it’s explained why he is this way after the events of the movie, I still don’t like it. He’s always flying off the handle, shooting and punching his own Decepticons in the middle of battle just because things aren’t going the way he wants. Megatron would have never acted like that. Frank Welker voiced Megatron and voices Galvatron as well (though the role of Galvatron was originally played by Leonard Nemoy in the movie) but I don’t like the voice he’s using for him. I was hoping he’d use something closer to Megatron’s voice.

There’s an episode that devotes itself even more to Galvatron’s insanity. In “Webworld”, Cyclonus tricks Galvatron into going to a planet that treats beings for mental illness. It does not end well for that planet and Galvatron’s sanity is not restored.

As far as characters go, pretty much everyone in the movie is still heavily featured. For the Autobots there’s Rodimus Prime, Ultra Magnus, Kup, Arcee, Wheelie, Blurr, Wreck-Gar, Springer and the old guard are mostly represented by Perceptor, Blaster, the Aerialbots and Grimlock (the other Dinobots are rarely seen and Swoop is completely MIA for some reason). I was surprised by how much Perceptor and Blaster get used. Cosmos, Omega Supreme, Warpath and Jazz make cameos. Bumblebee is rarely seen and his only notable role is during “The Return of Optimus Prime” when he joins the Throttlebots and becomes Goldbug.

The Witwicky family (Spike, Carly and their son Daniel) are still around and there’s a new human Autobot ally: Capt. Marissa Fairborn of the Earth Defense Command. A few new Autobots have been brought in: the city-bot Metroplex (the biggest Autobot of them all… he’s the Autobots’ base on Earth), Sandstorm, Sky Lynx, the Throttlebots and the Technobots being the most prominent.

On the Decepticon side, the main characters are Galvatron, Cyclonus, Scourge and the Sweeps. Soundwave, the Constructicons, the Stunticons and Astrotrain play various minor roles and the rest of the old guard are basically background characters. New Decepticons include Octane, the Predacons, Runabout, Runamuck and the Terrorcons. Both the Predacons and Terrorcons appear in the series with no explanation. I always liked the origin episodes for the combiners so I was disappointed to see them thrown out there with zero back story.

Then there’s the Quintessons and their Sharkticons and all of these guys are basically interchangeable and were seen in the movie.

Despite some good episodes such as the five-parter, “Dark Awakening” (Optimus Prime returns from the dead), “The Return of Optimus Prime” (Opitmus Prime returns from the dead for real) and the episodes featuring Starscream’s ghost there are some truly horrid episodes. “Carnage in C-Minor” may be the worst TF episode EVER and “The Dweller in the Depths” (written by Paul Dini!) & “Nightmare Planet” are garbage too although my online research says “Dweller” is a fan favorite. There are also LOTS of animation mistakes throughout the these episodes.

1987′s “Season 4″ is just three episodes. Hasbro was ready to cease production on the cartoon but as a gesture to the fans we get “The Rebirth” three-parter to give the series a conclusion. I’m fairly certain Hasbro’s motives weren’t entirely altruistic though because in addition to starring Optimus Prime and some major Season 3 characters these episodes are FULL of recent additions to the Transformers toy line such as the Targetmasters, Headmasters, Punch-Counterpunch, the Horrorcons, the Decepticon/Autobot Clones, Scorponok and Fortress Maximus. It’s unfortunate that the transfer on these final three episodes is not very good. The  color is washed out and the animation isn’t all that great either but animation wasn’t Season 3′s strong-suit either.

Technically, there is a Season 5 that aired in 1988 but it was a “best of” season that features a stop-motion Optimus Prime in Powermaster form re-telling Autobot adventures to some kid.

Despite some terrible episodes, truth be told, this set is pretty good. It’s just that the series has a totally different vibe from Seasons 1 & 2 and it’s a bit off-putting at first. I really don’t have a problem with the new characters but it would have been nice to have seen other surviving Autobots from the earlier seasons interact with the new regime and Rodimus is no Optimus. I think Season 3 was really hurt by the fact that Optimus Prime was absent from it.

Still, I had fun watching these two seasons and the set is definitely worth picking up for G1 fans if only to see the original Transformers saga come to a close (in the U.S. anyway but we’ll get to into that at a later date).

Highlights: “The Five Faces of Darkness” Parts 1-5, “Dark Awakening”, “Starscream’s Ghost”, “Fight or Flee”, “Webworld”, “Ghost in the Machine”, “The Ultimate Weapon”, “Grimlock’s New Brain”, “The Return of Optimus Prime” Parts 1 & 2, “The Rebirth” Parts 1-3

Buy the DVD set at Amazon.com

Masters of the Universe (The Live Action Motion Picture) DVD Review

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Masters of the Universe
2009, Warner Home Video
Original Release: 1987, Cannon Films

Special Features
Feature-Length Commentary by Director Gary Goddard
Theatrical Trailer

Do you remember walking through the movie theater in 1987 and seeing this…

?

I do! YES! A live-action version of Masters of the Universe! But wait… That’s gotta be He-Man but why does he look like he belongs in a Mad Max movie? Why is he holding an assault rifle ?! Why is the gun more prominent than the Power Sword ?!

Yes, I remember seeing that poster and instantly feeling a mix of joy and doom. I was extremely happy that a live-action He-Man movie was coming but just by the teaser poster alone I already was not liking how they were going to be portraying the world of Eternia. Oh yeah… Eternia. Didn’t really feature as much in the movie as we He-Man fans would’ve wanted, did it?

That is probably my one biggest gripe about the movie — how can you have the very first Masters of the Universe movie and then not set the entire film on Eternia? Granted, the movie is a goofy cheesy ’80s movie no matter what but taking the majority of the film to Earth in the year of 1987  extremely dates the film and isn’t what people wanted to see. Maybe something like that could’ve been done for a sequel but for the initial MOTU film? Nah. Keep it on Eternia.

Given that Cannon Films was usually very budget conscious, my theory is that they built the bare minimum set pieces that they could for Eternia (basically Gwildor’s hut and Skeletor’s throne room) and then filmed on location in Los Angeles because it was cheaper to do that than having to build even more set pieces. So that’s why we ended up with the story of He-Man & Co. ending up on Earth. To be fair though, I think this movie was probably had one of Cannon’s biggest budgets. Wikipedia states $22 million but in the director commentary Gary Goddard states they had a $17 million budget at a time when most movies had $6-8 million budgets.

 As you can see from of the artwork, they were really going for a Star Wars vibe right down to getting Drew Struzan to do the artwork. Great artwork though and it does a great job of making the movie look amazing. Even Skeletor’s soldiers (something he didn’t have in the cartoon) look like Storm Troopers except their armor is black and their helmets appear to be that of Imperial Gunners.

Anyway, Eternia issues aside, it would’ve been nice to also see a bit more character depth. I guess the writers & producers just assumed anyone coming to see this movie already knew the backstory so we get thrown right into the middle of the action. That’s commendable on some levels because I know many fans of geek culture groan over “origin” movies but it still would have been really nice to see a live-action transformation of Prince Adam to He-Man. There is no mention of Prince Adam at all in this movie.

Even the Power Sword receives very little recognition in the film. He-Man seems to prefer using laser blasters. He holds it up one time towards the end of the film to yell “I HAVE THE POWER” but it’s too little too late and the moment is glossed over. The He-Man/Skeletor sword fight is pretty brief and lame compared to what Luke Skywalker & Darth Vader had done. In the movie’s defense, director Gary Goddard does that that due to time restrictions the final battle was not staged the way he wanted it and some portions of the throne room set went unused.

Another weird quirk is the absence of the typical MOTU villains. Sure, we have Skeletor, Evil-Lyn and Beastman but what about Tri-Klops, Merman or Trap-Jaw? The movie introduces some new villains: Blade (who almost seems like a stand-in for Tri-Klops), Saurod (a reptilian creature that reminds me of the Goombas from the Super Mario movie) and Karg (who reminds me of the late Ronnie James Dio). None of those three characters were ever on the TV show, which was canceled by this time anyway, but Blade & Saurod were given action figures.

On the Heroic Warriors side, I think they did pretty well: He-Man, Man-At-Arms, Teela and a captive Sorceress. They could’ve expanded upon that if there was a sequel and added Mekaneck, Stratos, Man-E-Faces, Ram Man, Buzz-Off and/or Orko. Speaking of Orko, even as a kid, I  always assumed Gwildor was meant to be his replacement in the movie. Upon listening to Goddard’s commentary, he confirms that by saying it would’ve been too financially & technically difficult to put Orko in the movie. So, they replaced a magician that always screws up and is played for humor with an inventor that always screws up and is played for humor.

Ultimately, the film was not a critical or financial success. Released in August 1987 (and I remember seeing it in Fort Walton Beach, Florida on opening weekend while visiting my grandparents), it made only $17 million total. Had it been released a year or two earlier (remember, the show had been canceled in 1985 and the toy line had been losing steam as well since it had no show to help promote it) and had it stayed more faithful to the fantasy-based cartoon/toy line rather than going in a sci-fi direction (that was inspired by Jack Kirby’s “Fourth World” comics from DC Comics) it probably would’ve done better.

Even though the movie kinda broke even or maybe even lost a few million for Cannon, a sequel was written and planned. Unfortunately, Cannon ran into financial troubles in 1989 and could no longer afford the MOTU license. The sequel’s script would later go on to be re-worked into Cyborg starring Jean-Claude Van Damme and when that movie was played on television it was sometimes retitled Masters of the Universe 2: Cyborg.

I think Masters of the Universe is a fun cheesy ’80s fantasy/adventure. It almost seems forgotten but I think it’s a real cult classic. Dolph Lundgren was a great voice (visually at least) for He-Man and Courtney Cox is cute as a button in her first movie role and plays her part well.

With plans for a new MOTU on the way, I’m sure a small spotlight will get thrown back on this movie in the next few years. I think the movie has been released on DVD twice. Once in 2001 through Warner Home Video but it was in a snap case. I made sure to order the 2009 edition because it features the standard DVD keep case which I prefer over the snap case that Warner Bros. well hell-bent on using for a number of years. Both editions have the same special features. My particular copy was made for distribution in U.S. & Canada so that’s why you see the film’s title in French on the cover.

I’m truly surprised they even bothered giving the movie a director’s commentary. You’d think something like would would’ve been made bare bones and then thrown into the $5 bin at Walmart. I usually never listen to commentaries but for this movie, I felt like trying it and enjoyed it.

Either DVD edition can be found for $6-8 and it’s well worth picking up for all He-Man fans. Sure, it’s not the MOTU we wanted to see but it’s a lot better than New Adventures of He-Man that’s for sure!

Buy the movie!

My First Sony

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Debuting in 1988, the My First Sony was a line of electronics designed specifically for children. The line also had a heck of a hooky jingle for their commercials.

Included in the in the line were a Walkman, microphone with tape deck, recording tape deck, Boom box, alarm clock, electronic sketch pad, and headset walkie talkies. All of these products were bulky and primarily bright red with yellow & blue. Later editions were primarily red with gray being the secondary color.

Stuff like this made for a great Christmas present and I believe it was either myself or my sister that own the tape deck.

1987 CBS Promo for Bugs Bunny’s Looney Christmas Tales & Santabear’s High-Flying Adventure

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This is CBS promo from 1987 for the beloved Bugs Bunny’s Looney Christmas Tales and Santabear’s High-Flying Adventure (which was premiering that year).

I can’t recall ever hearing of Santabear but after a quick look at it on YouTube, that’s probably for good reason because it’s very offbeat and has lots of awkward silence. There’s not much in the way of background music. But, when you’ve cast John Malkovich as your Santa Claus, you’re probably going for offbeat & awkward in the first place. I mean, seriously, why was this guy at one point considered a great actor? He’s awful and/or hammy in every performance I’ve ever seen.

Still, had my dad deemed it worthy of being recorded, I have to admit I probably would have grown up loving it. I’m not sure if it’s ever seen a video release or aired any time after 1987.

Oh, and yes, there were be a review of Looney Christmas Tales coming later this month so that’s why I’m not saying much about it.

M&M’s Christmas Commercial from 1987

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I’m not really that big on M&M’s. I never have been. I have kind of a weird relationship with them. It’s love/indifference, really. They certainly wouldn’t be the first candy I reached for at the supermarket but a few times a year I’ll get a craving for them and just go nuts and destroy a whole bag. It’s too easy to scoop up a huge pile of M&M’s in my hands and knock out a bag (and I’m talking about the BIG bags not those ‘tear ‘n’ shares’) in a matter of minutes. That is, if I wanted to do such a thing…

Seen above is one of those typically heart-warming holiday commercials that brands like M&M’s, Oreos, McDonald’s and Coca-Cola excelled at during the 1980s. It was great marketing to make you feel like there could be no joy in Christmas, there could be no Christmas PERIOD, unless you were stuffing your face with their product. It’s as if Christmas was all about sitting around a decorated tree & roaring fire at night with your family slamming M&M’s down your throat by the pound. No wonder in this country we’ll happily eat our weight in McNuggets and Triple Double Oreos before even thinking about touching a salad. Salads just don’t scream “MERRY CHRISTMAS!” like a bucket of original recipe KFC.

According to Wikipedia my hours of research, the red & green “HOLIDAYS” M&M’s debuted the previous year in 1986. You’d think they’d want to highlight their seasonal candy shell but I see what they did here. The Holidays batch is going to sell no matter what but they’ve gotta keep pushing the regular brown, yellow, green, red, tan and orange M&M’s so they’re using Christmas to get you to associate warm fuzzy feelings with that bland collection (which I always thought was suited best for Autumn and shouldn’t have been used year ’round).

Of course, with the M&M colors these days, it looks like a rabbit came along and pooped in a batch of Skittles.