Queensryche – Frequency Unknown
2013, Cleopatra Records/Deadline Music
1. “Cold”
2. “Dare”
3. “Give It to You”
4. “Slave”
5. “In the Hands of God”
6. “Running Backwards”
7. “Life Without You”
8. “Everything”
9. “Fallen”
10. “The Weight of the World”
11. “I Don’t Believe in Love”
12. “Empire”
13. “Jet City Woman”
14. “Silent Lucidity”
Band:
Geoff Tate – Lead Vocals
Kelly Gray – Guitar (solo on Track 1)
Robert Sarzo – Guitar (solo on Track 3)
Rudy Sarzo – Bass (Tracks 1, 5, and 9)
Simon Wright – Drums (Tracks 1 and 5)
Randy Gane – Keyboards (Tracks 1, 5–6, and 8–10), Bass (Track 10)
Additional Musicians:
Craig Locicero – Guitar (Tracks 1–10)
Jason Slater – Bass (Tracks 2–4, and 6–8), Keyboards (Tracks 7–8)
Martín Irigoyen – Guitar, Bass, Drums (Tracks 11–14)
Paul Bostaph – Drums (Tracks 6–9)
Evan Bautista – Drums (Tracks 2–4, and 10)
Jason Slater – Theremin (solo on Track 2)
Chris Cannella – Guitar (solo on Track 4)
Ty Tabor – Guitar (solo on Tracks 5 and 8)
K.K. Downing – Guitar (solo on Track 6)
Brad Gillis – Guitar (solo on Track 7)
Dave Meniketti – Guitar (solo on Track 9)
Chris Poland – Guitar (solo on Track 10)
Producer: Jason Slater
Even though I’ve always considered the band to be one of the more bland and boring rock/metal outfits out there, the story of Queensryche has become quite interesting over the last year. I’m certain more people are discussing Queensryche now more than they have in probably 10, 15 or 20 years. I know I am. If you want a good overview of what’s been happening and why there are two groups claiming to be Queensryche, check out this excellent article (which has been spotlighted and given the stamp of approval by the La Torre version of the band).
Well, as the world continues to wait for the Todd La Torre version of Queensryche to release their album, the Geoff Tate line-up has released their own album. Geoff Tate is probably one of the least popular guys in the world of rock & metal right now, so it’s no surprise the bashing started as soon as sound clips were released. But rightfully so. The production was pretty bad on the preview clips that were released. Some of those issues seem to have been corrected now that the album has been released but Cleopatra Records is now offering to send an even more recently remixed copy of the album to anyone to can provide them with proof of purchase of Frequency Unknown. They made this announcement just weeks after the album hit the shelves. It’s a head-scratcher. Why the label didn’t just wait and release a properly remixed album, I don’t know.
And just take a look at the limited involvement of the “band” and the long list of additional musicians. It’s a guitar solo-bonanza! They might as well be called “Geoff Tate’s Queensryche” or maybe “The Geoff Tate Group”, “Geoff Tate & Friends” or “Just Geoff”. There’s really no “band” here at all. The making of this album looks like a revolving door of musicians. Heck, this version of the band has already lost Glen Drover and Bobby Blotzer (they only participated in live shows before splitting)!
Okay, enough nitpicking. It’s the music that matters, right? Well, despite never really having any preference towards anything Queensryche and despite the fact that I agree Tate comes off like an arrogant jerk, this album is actually decent. I know Dedicated to Chaos tried to go some weird rock/pop/dance/whatever route and the band was properly trashed for doing so but Tate doesn’t go that route with the not-so-subtly titled Frequency Unknown (come on, it’s FU with a big fist coming at you on the cover… a message to Tate-haters and former band mates I’m sure). No, Frequency Unknown is a hard rock album with a modern sound. I’m okay with that. I think no matter what, Tate was going to lose. He’s getting bashed for sounding modern but if he tried to make an album with the classic Queensryche sound he would’ve gotten bashed for that as well. The closest he comes to his days of old is with “In the Hands of God” and “The Weight of the World”, I think.
“Cold” is a great modern sounding hard rock song. When it first became available, I wanted to be able to laugh at how bad it was and then continue on with my day, but it’s become one of my favorite songs of the year. I can’t stop playing it. Other songs like “Life Without You” and “Everything” remain highlights for me.
The only thing that truly weighs the album down are the four re-recording of a few Queensryche classics that are tacked on at the end. Tate has pointblank said he re-recorded them for the money because the label wanted these songs for licensing purposes. It’s only Tate and Martin Irigoyen on these songs. The sore spot here is Geoff’s voice. He sounds fine on the FU material, never going out of his weakening range but he just can’t hit the notes on these older songs. The music sounds fine to my casual Queensryche listening ears but I’ve read other reviews of die-hards picking apart Irigoyen’s musicianship. The production definitely lacking on these four songs.
Overall, Frequency Unknown had the recipe for a true disaster but Tate and his army of musicians pulled through and delivered a solid modern hard rock album. Just don’t expect much from the re-recordings.
Highlights: “Cold”, “Give It to You”, “In the Hands of God”, “Life Without You”, “Everything”, “The Weight of the World”
http://www.queensryche.com/
http://www.facebook.com/Queensryche
THE METAL MISFIT 
I did not care for the song “Cold’ first time I heard it, now I kind of like it. The problem with the album is, the songs while not bad, does not really have much of an identity, other then Tate’s voice it could have been any modern band. Also the use of the name is silly, Geoff Tate never in the past claimed to be Queensryche, but now suddenly claims the name, whatever. Again, not a bad album but considering the history of the artist involved its a bit of a disappointment. I do have to agree with you, I believe he is being judged more for his douchebag behavior then the music he is creating.
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Thanks for this review. I’m still not sure whether I care enough to give either Queesryche a try at this point. At least now however you’ve given me a much better sense as to the actual music beyond the rubbernecking drama on which to base a decision..
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I know what you mean. I’ve taken the re-records out of the album on my phone, ipod and computer, and have ripped a blank cd to have the album without the re-records on it.
In this state, despite all it has going against it, I listen to this album way more often than I expected to. Some surprisingly strong material on here that most people will miss out on because its fun to pick sides.
That being said, the other version of Queensryhce’s album is absolutely brilliant. No getting around the fact that FU isn’t as good as its competition.
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